In 2010 Peter was commissioned to design a wordmark for the documentary Harbour of Hope. The type was to ellicit Malmö’s harbor, and Peter found inspiration from the painted type of industrial tankers docked in his hometown. After completing the wordmark, Peter went on to draft the entire typeface. A departure from his previous work, Bruhn Sans is reserved and calculated. Unfortunately the typeface was not ready for release before Peter’s untimely passing. As friends and colleagues, Rui Abreu and Göran Söderström took up where Peter left off and completed Bruhn Sans, bringing a larger sense of closure.
Rear more on the Bruhn Sans campaign site.